Balance Sheet Notes Preparation and Discussion Essay Example for Free

Balance Sheet Notes Preparation and Discussion Essay This week paper requires our team to prepare three notes to the balance sheet and income statement. Also, request us to discuss why footnotes are useful and important to financial statements. Below we have included the requested footnotes (prepared based on our experience working with a CPA Firm in public accounting) and our discussion related in relation to the footnotes: Inventory: Inventory is stated at the lower of cost or market using the first-in, first-out method of inventory accounting. Inventory includes certain costs associated with the preparation of inventory for resale, including distribution costs, labor, and freight. The Company records a reserve for the anticipated loss associated with selling inventories below cost. This reserve is based on management’s current knowledge with respect to inventory levels, sales trends and historical experience (Lowe’s). Property and Equipment and Depreciation Policy: Property and equipment are stated at cost. Expenditures for maintenance and repairs are charged against operations. Renewals and betterment’s that materially extend the life of the assets are capitalized. Depreciation is computed on a straight-line basis over the estimated useful life of the related assets. For income tax purposes, depreciation is computed using the accelerated cost method (AICPA). The Company periodically reviews long-lived assets for impairment whenever events or changes in circumstances indicate that the carrying amount of an  asset may not be recoverable. No evidence of impairment is evident as a result of such review. Income Taxes: The Company establishes deferred income tax assets and liabilities for temporary differences between the tax and financial accounting bases of assets and liabilities. The tax effects of such differences are reflected in the balance sheet at the enacted tax rates expected to be in effect when the differences reverse. A valuation allowance is recorded to reduce the carrying amount of deferred tax assets if it is more likely than not that all or a portion of the asset will not be realized. The tax balances and income tax expense recognized by the Company are based on management’s interpretation of the tax statutes of multiple jurisdictions (Lowe’s). Team Discussion First of all, it is a fact that footnotes are an integral part of the financial statements (F/S). They contain information that otherwise cannot be included in the body of the F/S, but important enough to influence the judgment of a user or reader (Kieso, Weygrandt Warfield). Such information could be express either as an explanatory paragraph, schedule or timetables, useful to help users have a better understanding of how the company he intend to invest or extend credit operates, its environment, industry, and how it measure and records transactions. Additional information like going concern issues, contingencies, and subsequent events, which are relevant to reach a conclusion, are included in the footnotes as well. When this happens, it raises red flags to readers, because they provide information and events they may have been occurred after the end of the financial statement’s period, which is necessary for timely accuracy (â€Å"Chron†, 2015). References AICPA (2015). Illustrative Financial Statements Prepared Using the Financial Reporting Framework for Small and Medium Entities. Retrieved from: http://www.aicpa.org/InterestAreas/FRC/AccountingFinancialReporting/PCFR/DownloadableDocuments/FRF-SME/FRFforSMEs_Illustrative_Financial_Statements.pdf â€Å"Chron† Small Business. (2015). Guide-making Footnotes to Financial Statements. Retrieved from:

Music Analysis Of Bluegrass Music Essay

Music Analysis Of Bluegrass Music Essay Bluegrass is a word which came into being after its adoption by musicians and radio disc-jockeys in the early 1950s. Denoting a form of American country or hillbilly music yet, distinguishing it from other types of similar genres, which were popular throughout the Kentucky and greater Appalachia even before the turn of the century. Due to the demographics of the settlers in the region, bluegrass is a music built on strong southern traditions and was originally played primarily by the white working class. Although it is still somewhat debated, it is generally accepted that Bill Monroe and his Blue Grass Boys played the first of what we now call bluegrass music in 1945. (International Bluegrass Music Association, 2001) The banjo came to the fore as it had not done previously accompanied by multiple vocal parts and a now familiar line-up of bass; mandolin; fiddle and guitar. The argument against, rebukes not the talent of Bill Monroe or his style, but the pre-inception of a less formali sed bluegrass genre. No matter which side of the debate one falls on, Monroe is accredited with the commercialisation and formalisation of the characteristics which differentiates the music from other strains of so-called hillbilly music such as country-western, rockabilly, and other forms of western-swing. (Smith, 1965) Both the immigration of the Scotch-Irish settlers during the latter part of the nineteenth century and subsequent emigration of the second and third generations from the region play distinct roles in the social and economic background of the music itself. Celtic fiddling styles played in the home and songs of heritage were commonplace. Monroe fondly recalls his mother walking through the house singing, and playing the fiddle as she prepared the dinner. His uncle, who he first witnessed at the age of about six years old playing this style of fiddle on the front porch at his family home captured the young Monroes imagination. He got the wonderful Scotch-Irish sound out of it, à ¢Ã¢â€š ¬Ã‚ ¦..and if wed have supper of a night, wed sit around the fireplace and hed play the fiddle. Most musicians of the time allude to fathers, grandfathers, and uncles who fiddled and mothers who played the organ, it seems everyone sang. Mechanically reproduced music and radio was therefore a luxury not many of these impoverished farmers at the time possessed, and although by the early 1900s, some rural settlers may have had experienced the radio, it was not as pervasive as it was to later become. It is for this reason we can refer to these strains as a form of vernacular music. (Rosenberg, 2005) During the late 1930s however, these types of technologies had come to the fore allowing greater access to music and film. The film industry in particular had made singing cowboys a popular trend and this was being reflected in the rise of western swing outfits such as Bob Wills and Bill Boyd. Other influences began to seep into the old time style, as country music began to move closer to the popular music of the era rather than the folk music of its distinct roots. (Rosenberg, 2005) George D. (Judge) Hay, a former news reporter, turned disc jockey with a popular Saturday night show titled The Grand Ole Opry, was adamant within his circle to keep these influences at bay and began to promote his radio show as authentic-hill country music. Urging his musicians to stay true to their roots and keep it close to the ground,(Rosenberg, 2005) he fought for years keeping drums off the Opry stage and very much discouraged the attempts to introduce electric style instruments, instead insisting on the musicians authenticity. It was subsequently the first country music styled show to gain a reputation on a national scale. His hatred of the word hillbilly and refusal to use it on his show gained him a respect from one Bill Monroe who tried out for the show in 1938. Cleo Davis who accompanied Monroe at the audition recalls; Bill and I did à ¢Ã¢â€š ¬Ã‚ ¦.. a duet yodel, fast as white lightening. [And were told] à ¢Ã¢â€š ¬Ã‚ ¦if you ever leave the Opry, itll be because youve fired yourself(Rosenberg, 2005) Two of the immediate differences Monroe and the Blue Grass Boys brought to the Opry, and anything that had gone before were the sheer speed that they performed their songs and the key they performed in. Even slow or medium paced favourites were faster than usual, highlighting the skill that was required to maintain the instrumental dexterity and vocal accuracy if these up-tempo performances were to retain their precision. Along with a speed heretofore unnatural, was the use of unconventional keys. Monroe is accredited with saying; We was the first outfit to ever play in B-flat or B-natural and E. Before that it was all C, D, and G. Fiddle men had a fit. (Rosenberg, 2005) Accompanying these alterations was a slightly unusual musical practice whereby all instruments were tuned a half-step above standard pitch. This elongation and tightening of the strings served a multipurpose, gaining both in volume and achieving a brighter tone which subsequently served to suit the vocals better than it had previously. (Rosenberg, 2005) These musical alterations coincided with arguably the most significant social, political, and cultural movement of the entire century, the Second World War. During this period many economic sectors, including the music and recording industries, were in a state of decline. But despite this lull of music sales, the sale of hillbilly records grew exponentially. (Rosenberg, 1967) The major reasons for this were, a population shift, incorporating a migration of southern workers to northern cities, and a mass growth in the popularity of the genre within the armed forces, where many were exposed to these strains for the first time. Military service resulted in long standing members having to leave their post for the war effort. This resulted in an array of performers playing different roles for the following war years. Retaining his slot on the Grand Ole Opry, and gaining his own tent show, Monroe continued to perform with a roulette wheel of differing musicians, yet still managed to contin uously be the most sought-after performer on the circuit. It is about this time that the real elements of bluegrass started to form with the addition of extra musical elements, and it was at this stage Robert Russell (later to be renamed Chubby Wise) joined the fray. A co-composer of Orange Blossom Special a song which Monroe and his boys had covered on many an occasion had heard of Howdy Forresters depart, leaving the band without a fiddle player. Having approached Monroe backstage he joined the Opry tour. Although the musician roulette continued for a time with instruments such as the jug, accordion and harmonica making appearances, the seeds that would comprise the latter sound were beginning sprout. (Rosenberg, 2005) In 1945, debatably the most influential member was auditioned for the line-up. A young banjo player named Earl Scruggs made an impact with a song titled Dear Old Dixie, showcasing his ability to do things you could hardly believe, with Monroe reportedly saying hire him, get him whatever it costs(Rosenberg, 2005). For the first time the band had a banjo player who was not a comedian, but instead had the ability to play solos on songs where all previous players could not. Lester Flatt, a mandolinist and tenor singer was also taken aboard at this time, returning to his guitar and singing lead vocals to accommodate the Blue Grass Boys. Much of the music was actually too fast for Flatt to keep rhythm on the guitar, but he remedied this by using a guitar run at the end of phrases. The run began as an F# on the lower sixth string and ended with an open G. Runs of this type were common in previous country guitar styles, but became so synonymous with Flatt and bluegrass music that it is still referred to as the Lester Flatt G-run.(Malone and McCulloh, 1975) Both were extremely popular with fans, with Scruggs solos demanding encores from the boy from North Carolina who makes the banjo talk (Malone and McCulloh, 1975) Scruggs used a three finger picking style adapted from other north Carolina banjo players such as Wade Mainers two-finger style. His solos on the Opry from 1945-48 resulted in almost instantaneous star status as a country music instrumentalist. Monroes Blue Grass Boys now consisted of a mandolin; played by Monroe himself, a guitar; a banjo; a fiddle and a bass, a construct that is now the presently accepted make-up of the traditional bluegrass band. The sound they produced together had evolved substantially from the days Bill and his brother Charles Monroe entertained locally in Kentucky, and yet, with the early guidance of Judge Hay in Bills career, managed to keep true to the roots of the music. Scruggs and Flatt left the Blue Grass boys line-up late in 1948, due to the strain of being on the road. They still played together however forming the Foggy Mountain Boys. While in this line-up they decided to include the resophonic guitar, (or Dobro) in their band and as a result it is often included in some bluegrass bands today.(International Bluegrass Music Association, 2003) By this time there were other groups mimicking the style set by their outfit, most notably The Stanley Brothers. Monroe had replaced Scruggs with a play er similar to Scruggs own banjo style, and after setting the precedent it became the norm to describe a good banjo player as playing just like Earl Scruggs. (Malone and McCulloh, 1975) Robert Cantwell describes the relative speed in which bluegrass music permeated the psyche as he recalls an appearance from the Eller Brothers in 1980. They began with an old song entitled On and On, but could not remember where it had originated or who had written the piece. It was the work of one Bill Monroe and had apparently been inducted, along with those songs brought across the Atlantic, into the realms of tradition at the tender age of twenty-seven. A tradition according to Cantwell, that was violently foreshortened by radio (2003) The durability of bluegrass has proven this apparent presumption correct however, as the genre grows not only in the Americas but internationally, owing much of its success to the adaptability of the music through other genres, and the capacity to reach wider audiences through the growing medium of technology. The 1960s saw the birth of a new concept, the bluegrass festival. As bands seemed to be competing for the same audience, it was more product ive for all parties involved to put them on the same bill, appearing at festivals around America. These festivals are now internationally common with attendances growing annually. (International Bluegrass Music Association, 2003) Monroes most famous contribution Blue Moon of Kentucky has transcended multiple genres and been re-recorded by artists such as Patsy Kline, Elvis Presley, Rory Gallagher, Johnny Cash, Ray Charles and Paul McCartney among others. Scruggs and Flatt as mentioned continued recording, and wrote songs that appeared on the soundtracks of the cult movie Bonnie and Clyde and the Beverly Hillbillies television show. Bluegrass was once again shot to the forefront of consciousness when Eric Weissberg traded banjo phrases with Steve Mandels guitar in the film Deliverance, and audiences were once again reintroduced to bluegrass as the soundtrack for one of the Coen brothers cinematic ventures O Brother, Where art Thou? went triple platinum. (International Bluegrass Music Association, 2003) Bluegrass is still providing additives, foundations and inspiration in artists today, as Bà ©la Fleck (possibly the most recognisable banjo player worldwide presently), describes his most powerful memory on first hearing the music during an interview for the popular American network PBS: My most powerful memory was hearing Earl Scruggsà ¢Ã¢â€š ¬Ã‚ ¦.as a five or six year old. That sound just blew me away, shook my head up. (PBS, 2001) Fleck has attained international fame for his ingenuity with his own band the Flecktones and for his fusion of a fast paced picking style with the jazz and blues undertones of the Dave Matthews Band, an outfit he makes regular appearances with. Once again keeping bluegrass firmly in the minds of the masses. The three audio files chosen represent three differing aspects of the bluegrass genre; The original bluegrass sound, the rise of the genres popularity through the prismatic scope of media, and its gradual evolution as these strains enevitably are influenced by other facors. The first, played by Bill Monroe and the Bluegrass boys is a recording from 1946 entitled Rocky Top. It showcases the finger-picking style of banjo thoroughly referenced throughout this essay, while emphasising the vocal layers and dexterity by using choral harmonics. The lyrics themselves reference Rocky Top Tennessee a domesticated hometown scence which much of the country bluegrass music was concerned with, the norm generally being a migration or a return to homelands. The second track was chosen for a number of purposes. Sang by Alison Krauss an extreemely successful country/bluegrass singer with accompaniment by Union Station, it is entitled Man of Constant Sorrow originally performed by the Soggy Bottomed Boys. My reasoning for choosing Krauss version is simple, she transcends genres. Recently dueting with Robert Plant the famed Led Zeppelin front man, she epitomises the durability and versatility bluegrass has sustained in revealing itself to new audiences. It is also featured prominently in the Coen Brothers classic film O, Brother where Art Thou?, reinforcing the previous point and illustrating the gains achieved through differing aspects of the media. The final track is from the aforementioned Bela Fleck, performing with the self explanotory New Grass Revival. The song itself called Steam Powered Aeroplane conveys a movement away from a homeland setting and can be constrewed as having migratory conontations, but more immediately, there is a movement towards the new. Containing the same basic principles, Scruggs-style picking and Flatts G-runs are evident. Vocals are also sung in different parts giving a layered effect, yet held secondary to the lead banjo and a commanding base line seems to keep the overwhelming speed in check. But there is a distinct modern feel as the instuments are very slightly amplified. In more recent years Fleck establishes the Flecktones and keeping this style joins a group containing a drumguitar infusing African beats with blues licks. (See The Flecktones: Next)

The Watch Essay -- Observation Essay, Descriptive Essay

I am sitting in a still room, borrowing a moment to inhale the serenity that seems to float in the air like a cloud of fog, and listening to the silence. Listening closely, I notice that the silence, an absence of apparent sound, is its own symphony; it is an orchestration that is being kept alive by a carefully beating drum. I concentrate on the drum’s beats, observing that its rhythm is steadily and confidently throbbing. When glancing, I make a discovery and erupt with laughter. At this moment, precisely 1:43 PM, I realize that the incessant pulsation is not the tempo of tranquility, but rather the ticking of my watch. A small, thin, golden band strapped to my wrist, the watch is a living creature; it has a face, hands, a heartbeat. It has its own mechanized mind, a willpower to keep ticking at the same pace despite the circumstances; some of the more durable watches even tick under water. Within each brisk movement of the second-hand, a human has laughed, some have shed te ars, one is gripped by death, and yet another is being given the gift of life. Just like the individuals who comprise the human race, these curious creatures come in all shapes and sizes, each with its own beauty. My watch, an example of those delicate timepieces fastened with a band of gold or silver, resembles a bracelet. Yet, there are watches with thicker straps; some with leather, plastic, and even bands of bulky cloth; watches with bold heavy-set numerals; timepieces with only dots or diamond-shaped accents to represent the twelve hours; as well as the contemporary digital watch. Despite the endless assortment of watches, each serves the very same purpose: creating a framework in which those who ride the roller coaster of modernized life must run th... ...e not only created a world where our slavery to time is inevitable, but are now pushing the envelope to race against the clock. No longer are we satisfied to wait three days to receive information in the mail; we simply send a fax or an email with the punch of a button or the click of a mouse. In a civilization that craves instant-gratification, whether in terms of financial transactions or communication, speed has become the most valuable commodity. Our newly conceived definitions of the words â€Å"fast† and â€Å"slow† are resetting the biological clocks of younger generations. My watch tells me that several hours have passed while I have been explaining every nuance of time, but I have numerous tasks to accomplish before the curtain comes down on February the fifth, two-thousand three. I better attend to these duties before I realize that I have wasted too much time.

Appearance vs Reality Essay -- essays papers

Appearance vs Reality One normally disguises in order to be someone else, whether this be in a costume during Halloween, or as a character in a play or movie. Shakespeare uses the idea of disguise in his ‘Taming of the Shrew’ The minor theme of the play is appearance vs reality. Throughout the drama, things are never really as they seem. Katherine appears to be a real shrew, but it is all a cover-up for the hurt she feels. Bianca appears to be a self-sacrificing angel, but she is really a spoiled young lady who can quickly revert to shrewish behavior. Baptista appears to the outside world as a wonderful father; in truth, he pampers Bianca, totally spoiling her, and treats Katherine badly, depriving her of the loving attention she needs and seeks. Pe...

Loss and Bereavement Essay -- essays research papers fc

Loss and Bereavement The loss of someone close can be a very painful experience. When someone passes over to the other side, the people they leave behind are left grief-stricken. The process they go through is called bereavement or another word, people may use is called in mourning. This all depends on what beliefs the bereaved may have on dying. Different religions cope with mortality in different ways. The Buddhist religion believes in recoronation (life after death) so when a person dies the Buddhists believe that the dearly departed will come back in another life form. So what is the meaning of bereavement? Bereavement is the emotion, which everybody goes through one time or another in their life time. When someone dies the bereaved will experience the stages of bereavement, whether it is a death of a pet, someone in their family or someone who is close. A death of a son or daughter is very heartbreaking, its one of the worst pain, a parent could ever go through in his or her entire life. Parents believe that they should out live their sons or daughters and when the child passes away before they do it comes as a big shock. When a child dies, the parents are forever picking up the pieces for a long time after the death. As the years go by other people have less pain and appear to accept the death of the child where a parent will still feel the same hurt for the rest of their lives. There is always a place missing in their hearts and it cannot be fulfilled by anyone. These questions are still asked by the parents who have been bereaved through a child. Did I really have the child I lost or was I dreaming? Will all my memories start to deteriorate as time passes by? Am I going to wake up from this nightmare? When certain times of the year come round, e.g. birthdays of the deceased, mother’s day, father’s day, Christmas and the anniversary of the day the deceased departed from this existence. At any of these times of the year it can be very agonizing for the parent of the deceased. It does not matter how long ago the child has been deceased for, the memories will always be there and the agony they went through at that particular time when their child passed over to the other side. Time is supposed to be a great healer in situations like this. This is not always the case. The parent learns to live with the pain of losing a child. Some days are b... ...s, the person feels very dizzy. In the more severe panic attacks the persons’ limbs go all stiff, they can pass out, then they could be rushed to a hospital. After a few years the panic attacks ware off.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Bibliography Davies, R, Houghton, P, (1995) Mastering Psychology 2nd edition Macmillan Press Ltd London  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Donnellan, C, Bereavement. Vol 41, Independence Education Publisher Dunn, M, (2000) The Good Grief Guide Pathways/ How To Books Oxford Gross, r, Mcileen,R, Coolican, H, Clamp, A, Russel, J, (2000) Psychology 2nd edition Hodder & Stoughton Kubler-Ross, E, (1983) On Children and Death Macmillan Publishing Company Levine,S, (1998) Who Dies Catways Books. Bath   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   web pages http://avoca.vicnet.au/-griefedu/projects.htm http://hed2.bupa.co.uk/fact_sheets/mosby_factsheets/bereavement.html http://www.sci.monash.edu.au/psych/subject/nur1401/week12.html http://www.season.org/panic.html http://familydoctor.org/handouts/137.html

How close to revolution was Great Britain in the 1790

The 1790's wasn't the easiest of times for Britain. Revolution overthrowing the monarchy In France caused working-class civilians in Britain to entertain the Idea of revolutionizing. This, among other aspects such as the war with France and food supply, meant that Britain, led by Pitt, had to fight off the threat of revolution.It would be a fair statement to make that although Great Britain had big enough threats and factors for revolution to actually happen, the threat lacked a certain spark that could ave Ignited the revolution, spreading into a full-blown fire across the whole country, helping end the monarchy. The first key point to look at is the nature of British society at the time. The economy and living conditions can always be catalysts for a revolution- an example Is the sorry state of the French economy, one of the major causes of revolution breaking out there, Just before they went into revolution.Now, had the economy of Britain in the 1790's been as crippled as France's was, then it would have been likely that people in Great Brltaln would have been feeling desperate for change, and a revolutionary ould have been looking likely. However, this was not the case. Although the years 1 795 and 1797 were very difficult in terms of high bread prices and unemployment, the situation was simply not severe enough to make revolution a necessity for people In Great Britain. Hunger and famine were very sparse, In comparison to France.In fact, the standard of living of most people In the 1 79ffs had actually Improved due to the industrial revolution taking place at the time. Pitt, thanks to his numerous reforms and changes to the government, such as increasing taxes and the ntroduction of the sinking fund, meant that the threat of revolution was significantly decreased. unions were also an Issue that Pitt had to combat. There were many unions in Britain at that time, and they consisted of and represented a large chunk of the population, for example the worker's union.Due to the sheer size of the unions they posed a big threat to Pitt, especially the worker's unions which had many members due to every second man In Britain at the time being a working-class worker, and so most probably part of a union. unrest in the unions could have aused an uprising, which may not have ended nicely for Pitt due to the volume of workers in Britain at the time. Also, the workers would have been almost all the people In Britain Influenced by the events In France and wanting to revolutionize, and If they, with the help of trade unions, were to rebel then Pitt would have had a serious problem.And this is why in 1799 Pitt took the decision to effectively abolish all trade unions when he banned the â€Å"combination† of men, and this helped to partly eliminate the danger of (dissatisfied) working men along with their union trying to ause trouble for the government, hence why many saw this as a very good measure taken by Pitt Religion can also be an extreme ly key factor. The King and monarchy 1 OF5 are tra01tlonally symools 0T rellglon ana tnelsm, ana countrles tnat nave a nlgn percentage of the population of people as Christians are less likely to go into revolution.Britain was a country that was very theist at the time, which meant that the absence of atheism helped Britain to steer clear of revolution. All in all, in terms of the society of Britain at the time, despite certain strains such as the weakening of he economy and rise of trade unions, a fundamental cohesion and stability was seen in the country, partly down to Pitt, which meant that in this particular â€Å"field† (the nature of British society) Britain, although it had dangers and threats, never really came close to revolution.One could again say that a spark was lacked. Radical ideas, spreading over the channel from France to Britain, were one of the greatest threats to Britain- the more people learnt about the idea of the revolution in Britain, the more potenti al revolutionaries there would be, resulting in a greater ikelihood of revolution.It is important to point out however, that although the concept of radicalism was in theory a serious threat to the British monarchy, it was by no means popular with everyone in the country and contained serious flaws, which stopped the revolution from growing, Just like sunlight stops a plant from growing, or a robin stopping the invincibility of the blues from growing. Corresponding societies were a big threat to the monarchy. Numbers of people Joining corresponding societies all over the country were rising sharply due to an increasingly literate working class.This meant that they read pro-reform, anti-monarchy books such as â€Å"The Rights of Man† by Thomas Paine, which only â€Å"enhanced† and made their views on the monarchy and reform more extreme. One could say that the knowledge obtained by the working class by reading these books could have been a potential catalyst for the beg inning of a revolution, and so Pitt had to act fast to stop the â€Å"rebels† from reading about these revolutionary ideas.Although he did not close down the corresponding societies, and this could be seen as one of the things he failed to do, he managed to pass new laws that enabled the government to suppress nd regulate newspapers, which meant that workers were not as exposed to pro- reform stories as they were before which helped reduce the â€Å"brainwashing† of workers to try and overthrow the monarchy. So to sum up, things like corresponding societies and pro-radical newspapers were a serious threat to Britain, however although they were helpful to the revolution, they alone were not enough to put the revolution into full force.It is vital to explore other factors that too could have aided the revolution, or prevented it from happening. One factor which simply meant that Britain was never really going to come that close to revolution is desire. The genuine public desire to overthrow the monarchy was simply not large enough- the majority of the population were content of the way the country was run, only a small population wanted change. For a country to revolutionize, most of the countrys people need to have the desire to overthrow the King, in order to have enough power and force to do so.Take France as an example once again, the Third Estate made up around 90% of the country, and virtually all of the third estate wanted to see change, hence why France was swept up in revolution. This was not the case in Britain. Perhaps it was because the class-system was on the whole fairer-the clergy did not aomlnate as mucn In Brltaln as It 010 In France, ana tne working class 0T Brltaln, though most likely discontent, were on the whole miles happier than the French working class in comparison.This one factor alone was one of, if not the, greatest reasons why Britain steered clear of revolution and did not come as close as it may well have. Having said that, Pitt made sure radical ideas, actions and organisations were subdued. To supress the threat of revolution, Pitt brought upon changes to ertain acts and even created new ones. One example is how Pitt suspended the Habeas Corpus Amendment act from 1974-1795, then again from 1798-1801.This act meant that people could only be arrested after solid evidence, however after the temporary removal of this act, anyone could be arrested and held indefinitely, even if there was no evidence and they were merely being held on suspicion. This act was very effective, as it deterred potential revolutionaries from committing crimes. The â€Å"Two Acts† were also introduced, which kept an eye on illegal gatherings, reducing hem to a minimum, which helped Britain halt the threat of revolution from growing.Another point is that for a revolution to happen, the radical movement must be strong and united. Although the radical movement had been a big threat, its potential was massively limited because it did not have the support it needed. The movement was split along a North South divide and was also split over aims- some radicals argued that parliamentary reform went far enough whereas others argued that a republic was the only solution to their problems.In addition the radicals were seriously under-powered in terms of weaponry and such, and all these problems ere one of the reasons why, although the threats were present, the spark, or cutting edge, was not, hence why Britain did not have revolution. The government was doing its best to extinguish the radical ideas that were sweeping through the country during the 1790's, however it needed some help from loyalists. Loyalists were people, predominantly working class, who were in support of the monarchy.This reinforces the view stated earlier that not all the working class were in favour of revolution. The 1790's witnessed the creation of many loyalist, pro- monarchy associations, an example of one being founded by John R eeves in 1792, hich fought against Republicans and Levellers by gate-crashing and attacking their meetings. Many ordinary men were also turned into â€Å"militas† to protect the country from internal threat. However, the main reason for all this internal support was William Pitt and the British government.Pitt was winning a propaganda war, and very successfully. He made Jacobites (anti monarchy, pro-reform believers) seem like horrible, scandalous people which helped turn the British public against them and made the monarchy seem as something good, something that should be desired. This worked- the institution of monarchy became much more respected by the eople and support for the King also increased as a result of the French execution of their King Louis XVI in 1793 and the patriotic feeling created by the declaration of war between France and England a year later.This factor, although was helpful to the government as many people, whose background fitted in to the revolution ary type of person, gave support to the King, was not crucial to the government and did not repel the threat of revolution as much as other factors did, an example which links in with tnls one Delng tne lack 0T wlaespreaa aeslre to revolt. one could say na t tne sole reason for the creation of so many loyalist associations was due to the propaganda war being won by Pitt, which helped reduce the chances of revolution.All in all the â€Å"battle of ideas†, although won by the monarchy, never threatened the British government to a large enough extent due to the low population of the radicals, and so taking into account that fact that not even all working class people were willing revolutionaries, and that the revolutionary opposition was under-populated, this highlights how Britain managed to contain the threat of ideas spreading across the ountry in a way which was not overly-hard, and only pushed the chances of revolution further away.Finally, as has been mentioned a number of times already, the British State was exposed to the threat of revolution, and it did extremely well to contain the radical threat, helping to limit the effectiveness of it. William Pitt, who was in power at the time, was instrumental in making brave changes to the way the country was run in order to supress the growing threat of revolution.Taking into account that Britain at the time had no national police force, Pitt had to be extra careful to make sure revolution did not spread. He did this by introducing a variety of acts: The suspension of Habeas Corpus, the â€Å"Two Acts†, repelling mutiny following an incident at Spithead & the Nore, the abolition of trade unions, the DORA, and sustaining an acceptable economy were all things Pitt did to help quash revolution.And indeed they worked-, and although many found them harsh and very tyranny-like, Pitt was in no position to take chances and in most cases the threat of the use of the measures introduced by Pitt was enough to deter the radical movement, which helped to steer Britain away from revolution even further, and ensured that Great Britain was never hat close to revolution despite numerous threats being posed. To conclude, although the threats of radicalism that were posed to the government were certainly dangerous, there were many aspects of the threat of revolution which were very flawed and resulted in the failure of the radicals.Britain faced many threats, such as radical ideas spreading across Britain, the faltering economy, the war with France, the lack of a police force and so on; however Britain reacted very well and did everything it could to the best of its ability to suppress the idea of revolution rom getting out of hand-harsh measures introduced helped dispel revolutionaries, and the stabilisation of the economy and standard of life was crucial in helping to satisfy the majority of the population.Fundamental flaws were present in the opposition, and it was these flaws which never all owed them to have a real chance in overthrowing the King. A distinct minority of people in Great Britain wanted change, and so trying to disrupt the regime, as well as having very little access to arms and weaponry and themselves being spilt about their aims, was always going to be a aunting task.It was a task that was attempted to be carried out by the revolutionaries, and despite posing a variety of threats to the country, the radicals lacked a certain spark and the government dealt with them well. A fundamental cohesion and stability was seen throughout Britain in 1790's, as, despite the fact the revolutlonarles prooea ana questlonea tne governments staDlllty, tne government and Britain answered, responded well, and managed to quash the threat of revolution in Great Britain, ensuring that Britain, although sternly tested, sailed clear of revolution

Ballet Performance

Last time i visited ballet performance and saw twelve pieces, though I liked the most â€Å"Swan Lake Act II†, â€Å"Swan Lake PDD† and â€Å"Tchai Celebration†. Actually, it was Tchaikovsky spectacular and I am sure that he is one of the most highly talented composers of all times. His music is great and impressionable as it aims at enriching viewers and listeners spiritually, at showing them amazing world of art and music. As for me, only classical music helps people to appreciate art and become visitor of theatre.Speaking about my feelings, I was really impressed and enchanted by the performance and music, especially by the parts of Odette and Siegfried from the â€Å"Swan Lake†. And even tears of delight were shining brightly on my eyes. I can say that I have become really interested in classical music and in future I’ll visit the theatre as often as possible. Classical music is aurally comfortable and makes people relax and enjoy the performanc e. Baler performances consisted of solos, twosomes and threesomes, but the stage always looked as if it was filled with man dancers.The costumes were also wonderful: colored tunics and unitards, flowing skirts and pointe. Thus, the costumes varied from the casual clothes to unique and original solution to intensify the impression and to create the necessary atmosphere. The dominated colors were bright and pastels to highlight the particular charm of all actors. I liked the most black and gold classical jackets and tunics because they symbolize importance of life and significance of love in our lives.It is necessary to note that â€Å"Swan Lake† was performed in minimalist style meaning that only dark clothes were dominating on the stage. The dancers seemed to be obsessed with iconic style and standards of ballet. The performance was excellent and it is rather difficult to admit any mistakes because every arm and head of any swan was place precisely and the importance of the m oment was skillfully emphasized. If to use ballet terms, arabesque legs were solidly held as the result of long-lasting rehearsal. Therefore, a careful directing eye was observed throughout the ballet performance.The rare exceptions mentioned were not fully stretched legs and rather shallow pas de chat. I was really impressed when the three leading swans flashed rather synchronized across the stage and everybody said that every company might be proud of such professionalism. Odette and Siegfried were noteworthy. I can’t say that Odette looked fragile and delicate. Instead, i liked idea to show Odette as a Queen who protected her flock from danger. The dance was accompanied by natural mime and that was impressionable.The arms of the swans were undulating beautifully and I’d like to assume that swans showed skillfully Odette’s transformation from swan to woman and vice verse. I also liked â€Å"Black Swan PDD†, especially their exacting choreography. The da ncers seemed to be compact, though they were filled with energy assisting each other. I became anxious when one of the dancers began to tip in multiple pirouettes, but I was pleased to see the he remained unrattled. Abilities to fix the problem and to keep the balance are inherent only to professional and mature dancer.I liked the famous fouettes in the centre of the stage and the turning, every fourth one a double, looked amazing and fabulous. Both dancers provided admirable performance for the viewers. â€Å"Tchai Celebration† is, actually, twelve piano pieces to â€Å"The Seaasons† and baler, therefore, represented months of the year. Composition of the ballet is rather inventive and is sourced in the music. The choreography was for the dancers who relished it meaning they responded with appreciation and real energy making viewers becoming involved in the world of music more and more.The dancers seemed to explore together music and space. For example, â€Å"Juneâ⠂¬  was as wonderful and marvelous as any i have seen on the theatre stage. The performance was very difficult, though never falsely contrived, and a toss, lifts and a catch were smooth to respond to music. I strongly recommend visiting the ballet performance because it remains lots of wonderful emotions and feelings. References Bai, Anjuli. (2007, April 2). Tchaikovsky Spectacular. Retrieved May 17, 2007, from http://www. cityballet. org/performances/tchaikovsky_review_3. html