A Doll’s House and Fathers and Sons Essay -- Comparative, Ibsen, Tur

Ibsens A Dolls House and Turgenevs Fathers and Sons contemplate two unique societal struggles. While both texts deal with a main character attempting to overcome societys resistance to progress, they delineate from for each one other in the characters relative successes as well as divergent societal implications. The formal cause of these differences is ultimately societal mores as well as contrasting aims Ibsen deals with feminism, whereas Turgenev discusses nihilism. However, both novels were written in the 19th century and dealt with local issues, where the implications beyond their respective societies were disregarded. Hence, these two texts both play an important role in their respective societies. However, these two texts are harbingers for two contrasting revolutions, where A Dolls House and Fathers and Sons feature enlightened and darkened protagonists respectively. While both Ivan Turgenevs Fathers and Sons and Ibsens A Dolls House challenge traditional societys thoughts and beliefs, the diction, character arcs, authors tone and exposition devise contrasting opinions on the successes of the two revolutionary attempts.Both Ibsens and Turgenevs texts vary in the use and role of foreign languages. While Pavel Petrovich, a main character in Fathers and Sons, is a xenophile, the experiences of Nora Torvald in A Dolls House are very limited. Pavels love of foreign cultures is portrayed done his use of French words, whereas Nora lacks worldly understanding and thusly lives in the proverbial razzings house. Pavel describes liberalism as trs distingu and says bon soir when he goes to bed, whereas Nora emphasises the need to reach both some understanding of herself and the things around her, she must learn to stand... ...e relatable to the popular audience. The two main characters Bazarov and Nora progress society to very different degrees. This is reflected by the absence of character culture in Nikolai and Pavel as well as the radical changes in No ras persona. Noras power over Helmer contrasts how Russian society prevails over Bazarov. While Bazarov becomes toss and infirm, Nora asserts her independence over her familial duties. Ultimately, the degree of resolution of the two problems female subordination and serfs indolence varies between the two texts. While Arkady fails to address the serfs dissatisfaction, Nora emerges out of her dolls house with an inquisitive mind. Therefore, Ivan Turgenevs Fathers and Sons and Henrik Ibsens A Dolls House use the four aforementioned elements to contrast the relative successes and implications of the seek revolutions.

Mary Barton: A Tale of Manchester Life :: Essays

Mary Barton A Tale of Manchester LifeElizabeth Cleghorn Gaskell was born in London on Setpember 29th, 1810 to William and Elizabeth Stevenson. Her let William was a former Unitarian minister who, after retiring from the ministry, combined farming, writing, and teaching before being appointed Keeper of the Records to the Treasury (Allott 10). Her mother, Elizabeth died reasonable over a year after giving birth and, consequently, while still an infant, Gaskell was sent off to live with her aunt, Hannah Lumb who resided in Heathside, Knutford. Throughout her young life, up until her 1832 marriage, Gaskell lived in various places around England including Stratford-on-Avon, where she received some education, Newcastle, Edinburgh, and Manchester. It was in Manchester that she met her husband, William Gaskell, a ministers assistant, who was eventually to become Senior Minister and remain at Cross highway Unitarian Chapel in Manchester for the rest of a long, active life (Allott 11). From 1832 to 1848, after her marriage to William Gaskell, Mrs. Gaskell lived a life of domesticity, giving birth to 6 children, with 4 surviving. besides raising the 4 surviving children, Gaskell worked with her husband to aid, comfort, and minister to the poor of Manchester. In 1845, Gaskell suffered the haunting loss of her only son to scarlet fever at just nineteen months old. With the encouragement of her husband, Gaskell turned her grief towards writing, and her literary career began.Over the course of her literary career, Gaskell wrote six novels, several nouvelles, a biography, about thirty little(a) stories, a number of sketches and articles, and a few poems (Allott 8). The novels, in chronological order were Mary Barton (1848), Cranford (1853), Ruth (1853), North and South (1855), Slyvias Lovers (1863), and Cousin Phillis (1864). The biography was of her faithful friend and fellow authoress, Charlotte Bront, The Life of Charlotte Bront (1857). Gaskells career inc luded two controversies, one over her portrayal of the fallen woman in society in Ruth the other over accusations of libel from portrayals in The Life of Charlotte Bront. Despite these controversies, Gaskell remained a popular literary figure throughout her life, even enjoying a association and working relationship with perhaps the most popular writer of the day, Charles Dickens, to whose Household Words publication she became a frequent contributor. When Gaskell passed away in 1865, The Athenaeum rated Gaskell if not the most popular, with small question, the most powerful and finished female novelist of an epoch singularly rich in female novelists(Victorian Web).